Band, The - The Band download album
- Performer: Band, The
- Title: The Band
- Genre: Rock
- Formats: ASF FLAC MIDI VOC APE DMF RA
- Released: 1969
- Style: Folk Rock
- MP3 album: 1702 mb
- FLAC album: 1705 mb
- Rating: 4.3/5
- Votes: 631
The Band is the second studio album by the Band, released on September 22, 1969. It is also known as The Brown Album. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana
The Band is the second studio album by the Band, released on September 22, 1969. According to Rob Bowman's liner notes for the 2000 reissue, The Band has been viewed as a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. Thus, the songs on this album draw from historic themes for "The Night They Drove Old Dixie Down", "King Harvest (Has Surely Come)" and Richard Manuel's "Jawbone" (which was composed in the unusual 6/4 time signature.
The Band, the group's second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes from the union worker in "King Harvest (Has Surely Come)" and the retired sailor in "Rockin' Chair" to, most famously, the Confederate Civil War observer Virgil Cane in "The Night They Drove Old Dixie Down.
Jaque Sez "The Album" is the first album by the band Math the Band the Band. ships out within 3 days.
The album's single, "Up on Cripple Creek," became the Band's first and only Top 30 release. It was one of several songs on the album that had an "old-timey" feel. Other highlights on this masterpiece include "Rag Mama Rag," "The Night They Drove Old Dixie Down," and "King Harvest. 1. Across the Great Divide The first chord of The Band's self titled LP, layed down with piano and a horn section provided by members of the band plus John Simon, acts as a support for Richard Manuels beautiful, pleading vocals
The Band’s second album might have been called America. Robbie Robertson and Levon Helm were both partial to that grandiose moniker-years later, it was one of the only things they still agreed on. Harvest was also considered, as the record was conceived as a concept album about the South that begins with the promise of spring and ends with the make-or-break finality of the fall, when a farmer pleads for deliverance from financial ruin in King Harvest (Has Surely Come)