Mott The Hoople - The Hoople download album
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK (cat. no. ILPS 9108), and in 1970 by Atlantic Records in the US (cat. SD 8258). It was subsequently re-released by Angel Air in 2003 (SJPCD157).
Complete your Mott The Hoople collection. Mott The Hoople (LP, Album, Gat). Island Records, Island Records. 849 304 UY, ILPS 9108.
Profile: British rock band, active from 1969 until 1974, with occasional reunions from 2009 onwards.
1969 studio album by Mott the HoopleMott the HoopleStudio album by Mott the er 22, 1969 UK, 1970 USRecordedMay–July 1969. Years later, vocalist Ian Hunter - who had only just joined the band prior to Mott the Hoople's recording and had yet to play live with them - would insinuate, in an August 1980 Trouser Press magazine interview, that the Stones' 1971 track "Bitch" bore more than a passing resemblance to this album's "Rock and Roll Queen. Both songs are in the. key of Am, and use the pentatonic scale.
Mott The Hoople lyrics - 96 song lyrics sorted by album, including "All The Young Dudes", "Sweet Angeline", "The Journey". All The Way From Memphis Whizz Kid Hymn For The Dudes Honaloochie Boogie Violence Drivin' Sister Ballad Of Mott The Hoople (March 26, 1972, Zürich) I'm A Cadillac, El Camino Dolo Roso I Wish I Was Your Mother. album: "The Hoople" (1974).
Mott The Hoople have announced a UK tour for April 2019. With a set based around the 1974 albums The Hoople and Live, plus the non-album greatest hits, ladies and gentle-men, please welcome the Golden Age Of Rock ’n’ Roll, as Ian Hunter, Ariel Bender and Morgan Fisher, regroup once more for seven shows across the U. .4 hrs ·. Thank you Detroit Photo courtesy Dennis DiBrizzi thehoopleclassof74 anfisherart isdibrizzi arbar andrewpage Bender Bosch Holley.
Enough works on Mott the Hoople's eponymous debut album, and enough is so imaginatively freewheeling, that it's easier to think of the record as a bit more successful than it actually is. After all, their combination of Stonesy swagger, Kinks-ian crunch, and Dylanesque cynicism is one of the great blueprints for hard rock, and its potential is apparent the moment their monumental instrumental "You Really Got Me" kicks off the record.
Mott the Hoople Studio album by Mott the Hoople Released November 1969 UK, 1970 . Doug Sahm's "At the Crossroads" (originally recorded by Sahm's Sir Douglas Quintet in 1968) and Sonny Bono's "Laugh at Me" (originally issued by Sonny & Cher on their second full-length album in 1966, but without vocals from Cher) are suitably reminiscent of Bob Dylan, as is Hunter's "Backsliding Fearlessly.
Tracklist Hide Credits
|A1||The Golden Age Of Rock 'N' Roll
Handclaps – Tippin's Toilet TrioPiano – Morgan FisherVoice [Alan Freed] – Dan Loggins
Cello – Mike Hurwitz
Backing Vocals [Fairy Dust] – Lynsey De PaulOrgan, Synthesizer [Synthi] – Morgan*
|A4||Crash Street Kidds
Synthesizer [Synthi] – Morgan*
|B1||Born Late '58
Lead Vocals, Twelve-String Guitar [Rickenbacker], Rhythm Guitar – Overend*
Backing Vocals [Echo Vamper], Acoustic Guitar – Ian*Piano ["Leslie" Piano] – Morgan*
|B3||Pearl 'N' Roy (England)
Chorus [Picket Line Chorus] – Ian*, Mick Ralphs, Overend*Voice ["Cosh And Helmet" Saloon Bar Scene] – Blue Weaver, Mott*, Stan*
|B4||Through The Looking Glass
Arranged By [Orchestra], Conductor [Orchestra], Tubular Bells – Graham Preskitt*
|B5||Roll Away The Stone
Backing Vocals – ThunderthighsLead Guitar – Michael Geoffrey Ralpsh*Synthesizer [Synthi] – Morgan*Voice [Chat Sequence] – Ian*, Lynsey De Paul
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Pressed By – Columbia Records Pressing Plant, Pitman
- Recorded At – Advision Studios
- Remixed At – Air Studios
- Overdubbed At – Air Studios
- Mastered At – Customatrix
- Copyright (c) – CBS Inc.
- Phonographic Copyright (p) – CBS Inc.
- Published By – April Music Inc.
- Published By – H & H Music
- Published By – Ackee Music, Inc.
- Printed By – Shorewood Packaging
- Arranged By – Ian Hunter (tracks: A1 to A4, B2 to B5), Overend Watts (tracks: B1)
- Backing Vocals – Barry St. John (tracks: A1, B2, B4), Sue And Sunny* (tracks: A1, B2, B4)
- Bass, Vocals – Overend Watts
- Design, Typography – Mary Winton
- Drums – Dale Griffin
- Engineer [Advision Studios] – Mike Dunne, Paul Hardiman
- Engineer [AIR (London) Studios] – Bill Price, Gary Edwards, Peter Swettenham, Sean Milligan
- Keyboards, Synthesizer – Morgan Fisher
- Lead Guitar, Vocals – Ariel Bender
- Management – H And H Enterprises
- Orchestrated By – Graham Preskitt*
- Other [Our Man Half-way Up Somewhere] – Stan Tippins
- Photography By – John Brown
- Producer – Dale Griffin, Ian Hunter, Overend Watts
- Sleeve [Concept & Design] – Roslav Szaybo
- Supervised By [Production Supervisor] – Dan Loggins
- Technician [Here, There and Everywhere] – Alan "Madswitcher" Harris*
- Tenor Saxophone – Howie Casey (tracks: A1 to A3, B3, B5)
- Tenor Saxophone, Baritone Saxophone – Jock McPherson (tracks: A1, A2, B3)
- Violin – Graham Preskitt* (tracks: A2)
- Vocals, Rhythm Guitar – Ian Hunter
- Written-By – I. Hunter* (tracks: A1 to A4, B2 to B5), O. Watts* (tracks: B1)
NotesIssued with printed inner lyric sleeve.
Ariel Bender appears by courtesy of Island Records Ltd.
Recorded at Advision Studios, London W.1. January 1974.
Re-mixed and dubbed at AIR (London) Studios 2 and 3 February 1974.
Equipment by Ritchie, Phil, and Eddie.
© 1974 CBS, Inc. / ℗ 1974 CBS, Inc.
All songs © 1974/April Music Inc./H&H Music (ASCAP) except:
B5 © 1973/Ackee Music, Inc. (ASCAP)
Lynsey De Paul appeared courtesy of MAM Records and the Triumph Motor Co. Ltd.
Barcode and Other Identifiers
- Matrix / Runout (Side A matrix, label): AL 32871
- Matrix / Runout (Side B matrix, label): BL 32871
- Matrix / Runout (Side A runout, etched, Variant 1): P AL-32871-1B 1 T X
- Matrix / Runout (Side B runout, etched, Variant 1): BL-32871-1A
- Matrix / Runout (Side A runout, stamped, Variant 1): C 0
- Matrix / Runout (Side B runout, stamped, Variant 1): D P
- Matrix / Runout (Side A runout, stamped, Variant 2): P AL-32871-1D D P
- Matrix / Runout (Side B runout, etched, Variant 2): BL-32871-1A
- Rights Society: ASCAP
|S 69062, 69062||Mott The Hoople||The Hoople (LP, Album)||CBS, CBS||S 69062, 69062||UK||1974|
|467833 2||Mott The Hoople||The Hoople (CD, Album)||Columbia||467833 2||UK||Unknown|
|PCQ 32871||Mott The Hoople||The Hoople (LP, Album, Quad)||Columbia, CBS||PCQ 32871||US||1974|
|25AP 1285||Mott The Hoople||'The Hoople' (LP, Album, RE)||CBS/Sony||25AP 1285||Japan||1978|
|467969 2||Mott The Hoople||The Hoople (CD, Album, RE)||Columbia||467969 2||UK||Unknown|