Various - Touch The Wall Of Sound - Volume One download album
Part 1 of a 3 volume series 20 Spectoresque Sound Gems From The Sixties 20 Rare Phil Spector Style Productions done by others. Rights Society (R-370068): JASRAC.
Nico Touch The Wall Hologram. 4 years ago 4 years ago. Hologram. Use shift and the arrow up and down keys to change the volume. Current track: Uso by SID Uso by SID.
Streaming + Download. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. A Brighter Shade Of Sound - Vol. Three". com/jaycrow760?fref ts) Mike360 - (soundcloud. com/ProducerMumbles) Smear - (smearone. com) Moses Kohen - (mightymoses1. com) Aquarius Minded, feat.
The Wall was the first sound system of its kind to eliminate the need for front-of-house mixers, who adjusted the sound levels of the various on-stage monitors pointed at the band. Each of the Wall's vocal microphones had a volume control function, so the band was able to mix vocal sounds on-stage as they played. Each individual band member also had total control of his own sonic environment, being able to tweak the levels of not only his stage monitors that played back the instruments of all the other musicians but also of his own instrument.
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The Wall of Sound may be compared with the standard pop mix of foregrounded solo vocal and balanced, blended backing. Other recent examples of the wall of sound technique include Bernard Butler (in his work with such acts as McAlmont and Butler, The Tears and Duffy, with such songs as Yes, Apollo 13 and Rockferry) and The Xbox Boys’ Chronicles of the Orb, especially on the single Cortana. Vocals are typically subdued in volume and tone, but underneath the layers of guitars is generally a strong sense of melody. While the genres which influenced shoegazing often used drum machines, shoegazing more often features live drumming. Chapterhouse and Seefeel utilised both samples and live drumming.
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios in the 1960s, with assistance from engineer Larry Levine and the session musician conglomerate later known as "the Wrecking Crew".
Introduction To Sound Processing by Davide Rocchesso - Davide Rocchesso This is an introductory book on sound processing.
|1||–Alder Ray||Cause I Love Him|
|2||–April Young||To Be Loved By You|
|3||–Miss Cathy Brasher||He Told Me He Loved You|
|4||–Josephine Sunday||You Won't Even Know Her Name|
|5||–Eight Feet||Bobby's Come Home A Long Way|
|6||–Bernadette Castro||A Girl In Love Forgives|
|7||–Shelley Fabares||He Don't Love Me|
|8||–Cherilyn (Cher)*||Dream Baby|
|9||–Pat Powdrill||Happy Anniversary|
|10||–The Pandoras||About My Baby (I Could Write A Book)|
|11||–Bonnie||Close Your Eyes|
|12||–Noreen Corcoran||Why Can't A Boy And A Girl Just Stay In Love|
|13||–Reparata And The Delrons||I Have A Boyfriend|
|14||–Alice Wonder Land||He's Mine|
|15||–The Cake||Baby That's Me|
|16||–The Cinderellas||Baby Baby (I Still Love You)|
|17||–The McKinleys||Someone Cares For Me|
|18||–The Victorians||What Makes A Little Girl Cry|
|19||–The Castanets||I Love Him|
|20||–Jackie Lee||Cause I Love Him|
NotesPart 1 of a 3 volume series
20 Spectoresque Sound Gems From The Sixties
20 Rare Phil Spector Style Productions done by others
Barcode and Other Identifiers
- Rights Society (R-370068): JASRAC