Deafheaven - New Bermuda download album
New Bermuda is the third studio album by American blackgaze band Deafheaven. It was released on October 2, 2015 through the Anti- record label. The album was recorded live in April 2015 with Sunbather producer and engineer Jack Shirley at 25th Street Recording in Oakland, California and Atomic Garden Recording in Palo Alto, California. The cover art of the album features an oil painting by Allison Schulnik.
Авторы текста и музыки. George Clarke, Kerry McCoy. WMG (от лица компании "Epitaph - ADA"); Abramus Digital, ASCAP, Rumblefish (Publishing)" и другие авторские общества (9). Композиция. WMG (от лица компании "Epitaph - ADA"); Abramus Digital, Rumblefish (Publishing), ASCAP, ABKCO Music, In. и другие авторские общества (8).
New Bermuda by deafheaven, released 02 October 2015 1. Brought to the Water 2. Luna 3. Baby Blue 4. Come Back 5. Gifts for the Earth. Got it. + add. album.
New Bermuda (2xLP, Album, Dlx, Ltd, Obi). I don't know how to find out which one I have, can anyone please help?
Deafheaven will release their next album, entitled New Bermuda worldwide on October 2, 2015 via ANTI- Records. George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous releases.
New Bermuda is the third album from Deafheaven. It is coming out October 2. Frontman George Clarke explained that the album is meant to describe a new destination in life, a nebulous point of arrival, and an unknown future where things get swallowed up and dragged into darkness. New Bermuda Q&A. Producers Jack Shirley. Writers George Clarke. Bass Stephen Lee Clark.
New Bermuda is indeed a massive and ever-evolving organism, managing to be even more exhausting than Sunbather while only encompassing three quarters the length. What New Bermuda lacks in consistency however, it makes up for in variety. A genre-bending fan’s dream come true, it is uncommon for any song to run longer than two minutes without drastically shifting musical styles. These experiments ultimately make for a disappointing lack of cohesion, doing away with the precocious complexities of Sunbather in favor of a shrewd nod to a musical influence with any chance the band could find. In short, listen to this album. Deafheaven have crafted another great post-metal album with sonic diversity to boot. Deafheaven – New Bermuda - 92%.
New Bermuda, if anything, is more overwhelming than Sunbather. The roiling peaks of that album-say, Dreamhouse or "The Pecan Tree -are the resting temperature of this one. They have shaped a suite of songs into one pliable and massive 47-minute arc, one that is as easy to separate into distinct quadrants as the stream from a fire hydrant. Clarke still screams euphoniously, leaning into long vowel sounds and open tones so that phrases like on the smokey tin it melts again and again function as color more than as thought. But Deafheaven reach further and further on this album: The drowsily sliding guitars on the long coda to Come Back conjure the easy warmth of Built to Spill. An organ wells up as the guitars fade, like something Ira Kaplan would do on a Yo La Tengo record. The thick palm-muted chugging on the beginning of Luna is reminiscent of the Slayer of Seasons of the Abyss.
California-based metal group Deafheaven's 2013 breakthrough album Sunbather was triumphant and uplifting, even as it dealt with harsh personal issues such as insecurity and alienation. That album's heavily anticipated follow-up, New Bermuda, offers a much bleaker perspective, beginning with the abandonment of joy, expressing feelings of not being able to escape, and ending by envisioning death